| CURRENT | ||
| 2017 | MSCA Senior Researcher, VRAASP— University of Huddersfield, Huddersfield, UK | |
| Education | ||
| 2016 | PhD | Multimedia and Electronic Music Experiments—Brown University, Providence, RI |
| 2009 | MA | Digital Musics—Dartmouth College, Hanover, NH |
| 2007 | BA | Music Technology, cum laude— Florida International University, Miami, FL |
| PUBLICATIONS | |
| 2016 | Sonic Mysticism and Composition. Dissertation (PhD.)—Dept. of Music, Brown University |
| 2015 | Face Vision— A Sonic Meditation (Midnight Sun Deep Listening Retreat Collection), 2015 |
| 2015 | Illuminations: a codex (2015) ISBN:9781329598294 |
| 2014 | Sonification and the Mysticism of Negation. Organised Sound, 19, pp 304-309 |
| 2013 | Electroacoustic Listening and Attunement (EMS Proceedings). Moderator João Soeiro de Carvalho |
| 2009 | Mythic structure, historiographic space. Thesis (M.A.)—Dartmouth College |
| CITATIONS | |
| 2015 | Winters, R. Michael, and Gil Weinberg. “Sonification of the Tohoku earthquake: Music, popularization & the auditory sublime.” Proceedings of the 21st International Conference on Auditory Display (ICAD 2015). 2015. |
| 2015 | Winters, R. Michael. “Music and the Masses: Upacking New Paths to Mutual Advance.” Student Think Tank at the 21st International Conference on Auditory Display. |
| 2015 | Whalley, Ian. “Developing Telematic Electroacoustic Music: Complex networks, machine intelligence and affective data stream sonification.” Organised Sound 20.01 (2015): 90-98. |
| 2015 | Hacket, Rosalind. “Making the Invisible Audible: The Sonic Mysticism of Ambient and Space Music”. XXI IAHR World Congress. http://www.iahr2015.org/iahr/3226.html |
| 2014 | Lonce Wyse and Ian Whalley (2014). Editorial. Organised Sound, 19, pp 213-214. doi:10.1017/S1355771814000193. |
| REVIEWS and MENTIONS | |
| 2018 | Description of ‘Near Sky’. https://www.musicalamerica.com/news/newsstory.cfm?archived=0&storyID=39610&categoryID=5 |
| 2017 | Review of ‘Record of Ancient Mirrors’. https://www.icareifyoulisten.com/2017/05/mata-festival-2017-concludes-dangerous-currents/ |
| 2017 | Interview Van Magazine “Medieval Time”. https://van-us.atavist.com/medieval-time |
| 2016 | Interview for String Quartet Composition Competition. http://www.villiersquartet.com/wolfe |
| 2015 | Young, Sabrina Peña. “Women In Sound Art”. Terz Vermittling Magazin. http://terz.cc/magazin.php?z=44&id=207 |
| 2015 | Young, Sabrina Peña. “The Undeniable Truth About Women Composers That No One is Telling You”. http://newmusicresource.blogspot.gr |
| 2015 | Linked by Many Many Women index of composers and artists: https://manymanywomen.com/classical/ |
| 2014 | Linked by Opensignal~ collective. http://opensignalcollective.org/LINKS |
| 2014 | IAWM SNM Press Release. iawm.org/wp-content/uploads/2014/08/IAWMSNM-2014-winners-pressrelease.pdf |
| 2013 | Gottschalk, Kurt. “Ostrava 2013”. http://www.newmusicbox.org/articles/ostrava-2013/ |
| 2013 | Klepal, Boris. “Kvarteta, orchestr a kašlající profesionálové”. Zapisnik Zmizeleho. http://zapisnikzmizeleho.cz/kvarteta-orchestr-a-kaslajici-profesionalove/ |
| 2010 | Wikipedia. Notable student of composer Jon Appleton. https://en.wikipedia.org/wiki/Jon_Appleton |
| 2009 | Editor. “Women in Music: A Brief Guide to Women in Contemporary Composition” http://yakjam.com/women-in-music-a-brief-guide-to-women-in-contemporary-composition/ |
| 2009 | FSylvestris. “ Modern & crossover music for viols”. http://www.last.fm/user/FSylvestris |
| 2009 | Brattleboro Reformer. “Music innovator Charles Dodge honored at Dartmouth”. http://www.reformer.com/ci_12260810?source=most_emailed. Mentioned. |
| 2006 | Hinkle-Turner, Elizabeth. “International Alliance for Women in Music Congress 2006, Global Perspectives” Communauté Électroacoustique Canadienne. http://econtact.ca/8_4/hinkle_turner.html. |
| 2006 | Oliveros, Pauline. review of the International Computer Music Conference. Deep Listening Institute Winter Newsletter 2006. |
| DISCOGRAPHY | |
| 2016 | Somewhere in the Past: Transcendigitalism – a compilation of esoteric drones: |
| 2015 | Planctus in CD: Music of Ostrava Days 2013 |
| 2014 | Agnus Dei in CD IAWM Search for New Music Compilation |
| 2012 | Swa Cwæð Eardstapa © Copyright – Kristina Wolfe / Stinacordia (885767535718) |
| PRIZES AND AWARDS | |
| 2017 | MATA Commission |
| 2016 | Winner, Villiers Quartet New Works Competition |
| 2016 | Winner, VdG Society Competition for New Music for Viol and Piano |
| 2014 | Honorable Mention for Pauline Oliveros Prize, IAWM Search for New Music |
| RESIDENCIES | |
| 2020 | ISCM-VICC Composer-in-Residence, Visby, Sweden (upcoming) |
| 2016 | Bang-on-a-can Summer music festival and residency, Massachusetts Museum of Contemporary Art (MASS MoCA), North Adams, Massachusetts |
| 2013 | Centre D’Art Contemporani i Sostenibilitat El Forn de la Calç, Calders, Catalonia |
| 2013 | Composit Festival and Institute, Rieti, Italy |
| 2013 | Ostrava New Music Festival, Ostrava, Czech Republic |
| 2008 | Visiones Sonoras 2008, Morelia, Michoacán de Ocampo |
| SELECTED PERFORMANCES AND EXHIBITIONS | ||
| 2018 | Near Sky, for piano trio and electronics, Bearthoven | Bearthoven: American Dream, Roulette, NY |
| 2017 | Mephisto, for orchestra with film, Occasional Symphony | Faust 2017, St John’s United Methodist Church, Baltimore, MD |
| 2017 | Record of Ancient Mirrors, for large ensemble and viol solo, Novus NY | MATA Festival, The Kitchen, NY |
| 2016 | Karaniya Matta Sutta, for voices, Ghost Ensemble | Indexical: New Commissions, Invisible Dog Art Center, Brooklyn, NY |
| 2016 | Aria, for soprano, 2 violins, viola, cello, piccolo, haegum, harp, piano and 2 percussionists | Bang On A Can Summer Festival Massachusetts Museum of Contemporary Art (MASS MoCA), North Adams, Massachusetts |
| 2016 | Planctus, string quartet, Villiers Quartet | Final concert of the New Works Composition Competition. Jacqueline Du Pré Music Building, Oxford University |
| 2015 | Listening Room, a solo exhibition of art, sound, and space | Granoff Center for the Arts, Providence, RI |
| 2015 | Face Vision, a sonic meditation | Midnight Sun Deep Listening Retreat, Norway |
| 2014 | Agnus Dei, a networked installation | Frosty Drew Observatory, Charlestown, RI |
| 2014 | Ancienne and Chant of the Holy Bitcrusher for imaginary organ | OpenSignal~ Festival, Providence, RI |
| 2014 | Homage to Brahms and Dinner, an acousmatic work | Birmingham New Music Festival |
| 2013 | Vineyards, a collaborative work for voice and electronics with poet Xavier Giol-Abril | Tocat de Lletra festival, Manresa, Catalonia |
| 2013 | Homage to Brahms and Dinner, an acousmatic work | Electronic Music Midwest. Kansas City |
| 2013 | Homage to Brahms and Dinner, an acousmatic work | Vox Novus 10th Annual International Mix |
| 2013 | Planctus, a work for string quartet. Kruilik Quartet | Ostrava Days, Ostrava, Czech Republic |
| 2013 | Dukh, a work for soprano, accordion, bass flute, and electronics. Ensemble l’Arsenale | Composit Festival for New Music, Rieti, Italy |
| 2013 | Capacitive Painting, an instrument and composition for an interactive ‘present painting’ | Providence, RI |
| 2012 | Robot Cellist, an installation for kinetic cellist. Sculpture and robotics showcase | Rhode Island School of Design, Providence, RI |
| 2012 | |Məˈträp(ə)ləs| for alto saxophone and electronics. Rok Volk, Saxophone | ICMC Conference. Ljubljana, Slovenia |
| 2012 | |Məˈträp(ə)ləs| for alto saxophone and electronics. | Providence, RI |
| 2012 | Ineffably Poignant Future Pastness for electronic drums. Fred Kennedy, drums | Providence, RI, and at NYCEMF |
| 2012 | In Memoriam for 8-person networked ensemble | Providence, RI |
| 2012 | Hymnetude for electronics | Darmstadt Internationale Ferienkurse Für Neue Musik |
| 2012 | Planctus a work for string quartet | Darmstadt Internationale Ferienkurse Für Neue Musik |
| 2012 | Antiphon for trio and subharmonic resonator. California Ear Unit | Grant Auditorium. Brown University |
| 2012 | Lyrawae for 12-stringed resonant instrument and electronics | Providence, RI |
| 2012 | RE-BORN: PAULINE OLIVEROS:THE EARLY YEARS, a video created in collaboration with Linda Mary Montano | Pauline Oliveros’ 80th birthday concert Kingston, New York |
| 2011 | Night, for solo musician and interactive multimedia landscape | Brown University, Providence, RI |
| 2011 | Adonai_Eleison for penitent and her computer. | Brown University Providence, RI |
| 2010 | The Sun Rises for viola da gamba and prepared piano ‘four hands’ | Taplin Auditorium. Princeton University Princeton, NJ |
| 2010 | With Ballast, Untempered for string trio. In Flux Ensemble | Taplin Auditorium. Princeton University Princeton, NJ |
| 2010 | Edda for solo prepared piano | Taplin Auditorium. Princeton University, NJ |
| 2009 | In Nomine for four cellos | Hopkins Center for the Arts, Hanover, NH |
| 2008 | The Lark In The Morning for viol and electronics | Princeton-Dartmouth Composer Exchange. Princeton University, Princeton, New Jersey |
| 2008 | Broken Buildings, a work for double bass and electronics | ICMC conference, Belfast, UK |
| 2008 | The Final Days Of Oliver Cromwell for viola da gamba and electronics | Hartt-Dartmouth Composer Exchange. University Of Hartford, Hartford, CT |
| 2006 | Opilwa, for 12-part choir and electronics | Miami, FL |
| 2006 | Consort for One for viola da gamba and electronics | ICMC conference, New Orleans, LA. |
| 2006 | Consort for One for viola da gamba and electronics | Third Practice Electro-Acoustic Music Festival. University Of Richmond, VA |
| 2006 | Consort for One for viola da gamba and electronics | International Alliance for Women in Music Conference. Miami, FL |
| FUNDING RECEIVED | ||
| 2017 | MSCA postdoctoral research fellowship | |
| 2016 | Brown University travel grant | |
| 2016 | Dissertation research grant | |
| 2011-2016 | Brown University Doctoral Fellowship. | |
| 2012 | International Affairs Research Travel Grant | |
| 2012 | Creative Arts Council Grant | |
| 2010 | Summer research grant | |
| 2009-2010 | Mark Nelson Senior Fellowship. | |
| 2007-2009 | Dartmouth Graduate Fellowship. | |
| 2008 | Visiones Sonoras/British Council 2008 Participation Grant | |
| 2008 | Graduate Arts and Sciences Student Travel Award | |
| SUPERVISING, TEACHING, AND MENTORING ACTIVITIES | ||
| 2016 | Mentor, Deep Listening Study Group | Guided and trained a small group of students through the basic principles of Deep Listening Practice including movement, listening, and dreaming strategies. |
| 2014 | Studio Monitor. Brown University | Responsibilities included maintaining all music studios, running lights and audio for concerts, digitizing and making the concerts publicly available, running the listserv, publicity, and general tutoring in electronic music and recording technology. Supervisor: Jim Moses |
| 2014 | Teaching Assistant. Advanced studio composition. Brown. | Responsibilities included grading, tutoring, office hours, and assisting the professor. Supervisor: John Ferguson |
| 2013 | Teaching Assistant. Beginning Studio Techniques and Composition. Brown | Responsibilities included grading, tutoring, office hours, and assisting the professor. Supervisor: Jim Moses |
| 2012 | Teaching Assistant. Music 200: Introduction to Electronic Music. Brown University | Responsibilities included setting up the classroom, maintaining the web portal, digitizing lessons, copies, test proctoring, and grading. Supervisor: Todd Winkler |
| 2012 | Instructor. Lab for Music 200. Brown University | Collaborated with two other PhD students to design a syllabus and lesson plan for 150 beginning electronic music students. |
| 2009 | Studio Assistant. Dartmouth College | Responsibilities included maintaining all studios and providing basic technical assistance. Supervisor: Newton Armstrong |
| 2009 | Teaching Assistant. Orchestration, Dartmouth College | Responsibilities included preparing a weekly lecture on the subject of Orchestration, assisting students when needed, grading assignments, and assisting the professor. Supervisor: Michael Casey |
| 2008 | Teaching Assistant. Beginning Electronic Music. Dartmouth College | Responsibilities included preparing a weekly lecture on the subject of Electronic Music, holding office hours twice weekly, grading assignments, and assisting the professor. Supervisor: Newton Armstrong |
| 2006 | Music Technology Lab Tutor. Florida International University | Responsibilities included maintaining the computer lab, tutoring students in DAWs and composition. Supervisor: Kristine Burns |
| ADDITIONAL EDUCATION AND TRAINING | ||
| 2017 | Odeon training course in acoustic modelling | DTU, Lyngby, DK |
| 2016 | Deep Listening | Rensselaer Polytechnic Institute, certificate 2016 |
| 2012-13 | Woodworking I, Sculpture and Robotics | Rhode Island School of Design, Providence, RI |
| 2012 | Theory and Analysis of Contemporary Music | Eastman School of Music, University of Rochester, graduate summer course |
| 2011 | Danish Folk School | Musik og Teater Højskolen. Toftlund, Denmark |
| 2010 | Music Composition | Princeton University, Princeton, NJ, 1 year |
Kristina Wolfe 