CV

 

Education
2016 PhD Multimedia and Electronic Music Experiments—Brown University, Providence, RI
2009 MA Digital Musics—Dartmouth College, Hanover, NH
2007 BA Music Technology, cum laude— Florida International University, Miami, FL

 

PUBLICATIONS
2016 Sonic Mysticism and Composition. Dissertation (PhD.)—Dept. of Music, Brown University
2015 Face Vision— A Sonic Meditation (Midnight Sun Deep Listening Retreat Collection), 2015
2015 Illuminations: a codex (self-published 2015) ISBN:9781329598294
2014 Sonification and the Mysticism of Negation. Organised Sound, 19, pp 304-309
2013 Electroacoustic Listening and Attunement (EMS Proceedings). Moderator João Soeiro de Carvalho
2009 Mythic structure, historiographic space. Thesis (M.A.)—Dartmouth College

 

CITATIONS
2015 Winters, R. Michael, and Gil Weinberg. “Sonification of the Tohoku earthquake: Music, popularization & the auditory sublime.” Proceedings of the 21st International Conference on Auditory Display (ICAD 2015). 2015.
2015 Winters, R. Michael. “Music and the Masses: Upacking New Paths to Mutual Advance.” Student Think Tank at the 21st International Conference on Auditory Display.
2015 Whalley, Ian. “Developing Telematic Electroacoustic Music: Complex networks, machine intelligence and affective data stream sonification.” Organised Sound 20.01 (2015): 90-98.
2015 Hacket, Rosalind. “Making the Invisible Audible: The Sonic Mysticism of Ambient and Space Music”.  XXI IAHR World Congress. http://www.iahr2015.org/iahr/3226.html
2014 Lonce Wyse and Ian Whalley (2014). Editorial. Organised Sound, 19, pp 213-214. doi:10.1017/S1355771814000193.

 

REVIEWS and MENTIONS
2016 Interview for String Quartet Composition Competition. http://www.villiersquartet.com/wolfe
2015 Young, Sabrina Peña. “Women In Sound Art”. Terz Vermittling Magazin. http://terz.cc/magazin.php?z=44&id=207
2015 Young, Sabrina Peña. “The Undeniable Truth About Women Composers That No One is Telling You”. http://newmusicresource.blogspot.gr
2015 Linked by Many Many Women index of composers and artists: https://manymanywomen.com/classical/
2014 Linked by Opensignal~ collective. http://opensignalcollective.org/LINKS
2014 IAWM SNM Press Release. iawm.org/wp-content/uploads/2014/08/IAWMSNM-2014-winners-pressrelease.pdf
2013 Gottschalk, Kurt. “Ostrava 2013”. http://www.newmusicbox.org/articles/ostrava-2013/
2013 Klepal, Boris. “Kvarteta, orchestr a kašlající profesionálové”. Zapisnik Zmizeleho. http://zapisnikzmizeleho.cz/kvarteta-orchestr-a-kaslajici-profesionalove/
2010 Wikipedia. Notable student of composer Jon Appleton. https://en.wikipedia.org/wiki/Jon_Appleton
2009 Editor. “Women in Music: A Brief Guide to Women in Contemporary Composition” http://yakjam.com/women-in-music-a-brief-guide-to-women-in-contemporary-composition/
2009 FSylvestris. “ Modern & crossover music for viols”. http://www.last.fm/user/FSylvestris
2009 Brattleboro Reformer. “Music innovator Charles Dodge honored at Dartmouth”. http://www.reformer.com/ci_12260810?source=most_emailed. Mentioned.
2006 Hinkle-Turner, Elizabeth. “International Alliance for Women in Music Congress 2006, Global Perspectives” Communauté Électroacoustique Canadienne. http://econtact.ca/8_4/hinkle_turner.html.
2006 Oliveros, Pauline. review of the International Computer Music Conference. Deep Listening Institute Winter Newsletter 2006.

 

DISCOGRAPHY
2015 Planctus in CD: Music of Ostrava Days 2013
2014 Agnus Dei in CD IAWM Search for New Music Compilation
2012 Swa Cwæð Eardstapa © Copyright – Kristina Wolfe / Stinacordia (885767535718)

 

PRIZES AND AWARDS
2016 Winner, Villiers Quartet New Works Competition £1,000
2016 Winner, VdG Society Competition for New Music for Viol and Piano
2014 Honorable Mention for Pauline Oliveros Prize, IAWM Search for New Music

 

RESIDENCIES
2017 ISCM-VICC Composer-in-Residence, Visby, Sweden
2016 Bang-on-a-can Summer music festival and residency, Massachusetts Museum of Contemporary Art (MASS MoCA), North Adams, Massachusetts
2013 Centre D’Art Contemporani i Sostenibilitat El Forn de la Calç, Calders, Catalonia
2013 Composit Festival and Institute, Rieti, Italy
2013 Ostrava New Music Festival, Ostrava, Czech Republic
2008 Visiones Sonoras 2008, Morelia, Michoacán de Ocampo

 

SELECTED PERFORMANCES AND EXHIBITIONS
2016 Aria, for soprano, 2 violins, viola, cello, piccolo, haegum, harp, piano and 2 percussionists Bang On A Can Summer Festival Massachusetts Museum of Contemporary Art (MASS MoCA), North Adams, Massachusetts
2016 Planctus, string quartet, Villiers Quartet Final concert of the New Works Composition Competition. Jacqueline Du Pré Music Building, Oxford University
2015 Listening Room, a solo exhibition of art, sound, and space Granoff Center for the Arts, Providence, RI
2015 Face Vision, a sonic meditation Midnight Sun Deep Listening Retreat, Norway
2014 Agnus Dei, a networked installation Frosty Drew Observatory, Charlestown, RI
2014 Ancienne and Chant of the Holy Bitcrusher for imaginary organ OpenSignal~ Festival, Providence, RI
2014 Homage to Brahms and Dinner, an acousmatic work Birmingham New Music Festival
2013 Vineyards, a collaborative work for voice and electronics with poet Xavier Giol-Abril Tocat de Lletra festival, Manresa, Catalonia
2013 Homage to Brahms and Dinner, an acousmatic work Electronic Music Midwest. Kansas City
2013 Homage to Brahms and Dinner, an acousmatic work Vox Novus 10th Annual International Mix
2013 Planctus, a work for string quartet. Kruilik Quartet Ostrava Days, Ostrava, Czech Republic
2013 Dukh, a work for soprano, accordion, bass flute, and electronics. Ensemble l’Arsenale Composit Festival for New Music, Rieti, Italy
2013 Capacitive Painting, an instrument and composition for an interactive ‘present painting’ Providence, RI
2012 Robot Cellist, an installation for kinetic cellist. Sculpture and robotics showcase Rhode Island School of Design, Providence, RI
2012 |Məˈträp(ə)ləs| for alto saxophone and electronics. Rok Volk, Saxophone ICMC Conference. Ljubljana, Slovenia
2012 |Məˈträp(ə)ləs| for alto saxophone and electronics. Providence, RI
2012 Ineffably Poignant Future Pastness for electronic drums. Fred Kennedy, drums Providence, RI, and at NYCEMF
2012 In Memoriam for 8-person networked ensemble Providence, RI
2012 Hymnetude for electronics Darmstadt Internationale Ferienkurse Für Neue Musik
2012 Planctus a work for string quartet Darmstadt Internationale Ferienkurse Für Neue Musik
2012 Antiphon for trio and subharmonic resonator. California Ear Unit Grant Auditorium. Brown University
2012 Lyrawae for 12-stringed resonant instrument and electronics Providence, RI
2012 RE-BORN: PAULINE OLIVEROS:THE EARLY YEARS, a video created in collaboration with Linda Mary Montano Pauline Oliveros’ 80th birthday concert Kingston, New York
2011 Night, for solo musician and interactive multimedia landscape Brown University, Providence, RI
2011 Adonai_Eleison for penitent and her computer. Brown University Providence, RI
2010 The Sun Rises for viola da gamba and prepared piano ‘four hands’ Taplin Auditorium. Princeton University Princeton, NJ
2010 With Ballast, Untempered for string trio. In Flux Ensemble Taplin Auditorium. Princeton University Princeton, NJ
2010 Edda for solo prepared piano Taplin Auditorium. Princeton University, NJ
2009 In Nomine for four cellos Hopkins Center for the Arts, Hanover, NH
2008 The Lark In The Morning for viol and electronics Princeton-Dartmouth Composer Exchange. Princeton University, Princeton, New Jersey
2008 Broken Buildings, a work for double bass and electronics ICMC conference, Belfast, UK
2008 The Final Days Of Oliver Cromwell for viola da gamba and electronics Hartt-Dartmouth Composer Exchange. University Of Hartford, Hartford, CT
2006 Opilwa, for 12-part choir and electronics Miami, FL
2006 Consort for One for viola da gamba and electronics ICMC conference, New Orleans, LA.
2006 Consort for One for viola da gamba and electronics Third Practice Electro-Acoustic Music Festival. University Of Richmond, VA
2006 Consort for One for viola da gamba and electronics International Alliance for Women in Music Conference. Miami, FL

 

SUPERVISING, TEACHING, AND MENTORING ACTIVITIES
2016 Mentor, Deep Listening Study Group Guided and trained a small group of students through the basic principles of Deep Listening Practice including movement, listening, and dreaming strategies.
2014 Studio Monitor. Brown University Responsibilities included maintaining all music studios, running lights and audio for concerts, digitizing and making the concerts publicly available, running the listserv, publicity, and general tutoring in electronic music and recording technology. Supervisor: Jim Moses
2014 Teaching Assistant. Advanced studio composition. Brown. Responsibilities included grading, tutoring, office hours, and assisting the professor. Supervisor: John Ferguson
2013 Teaching Assistant. Beginning Studio Techniques and Composition. Brown Responsibilities included grading, tutoring, office hours, and assisting the professor. Supervisor: Jim Moses
2012 Teaching Assistant. Music 200: Introduction to Electronic Music. Brown University Responsibilities included setting up the classroom, maintaining the web portal, digitizing lessons, copies, test proctoring, and grading. Supervisor: Todd Winkler
2012 Instructor. Lab for Music 200. Brown University Collaborated with two other PhD students to design a syllabus and lesson plan for 150 beginning electronic music students.
2009 Studio Assistant. Dartmouth College Responsibilities included maintaining all studios and providing basic technical assistance. Supervisor: Newton Armstrong
2009 Teaching Assistant. Orchestration, Dartmouth College Responsibilities included preparing a weekly lecture on the subject of Orchestration, assisting students when needed, grading assignments, and assisting the professor. Supervisor: Michael Casey
2008 Teaching Assistant. Beginning Electronic Music. Dartmouth College Responsibilities included preparing a weekly lecture on the subject of Electronic Music, holding office hours twice weekly, grading assignments, and assisting the professor. Supervisor: Newton Armstrong
2006 Music Technology Lab Tutor. Florida International University Responsibilities included maintaining the computer lab, tutoring students in DAWs and composition. Supervisor: Kristine Burns

 

ADDITIONAL EDUCATION AND TRAINING
2016 Deep Listening Rensselaer Polytechnic Institute, certificate expected December 2016
2012-13 Woodworking I, Sculpture and Robotics Rhode Island School of Design, Providence, RI
2012 Theory and Analysis of Contemporary Music Eastman School of Music, University of Rochester, graduate summer course
2011 Danish Folk School Musik og Teater Højskolen. Toftlund, Denmark
2010 Music Composition Princeton University, Princeton, NJ, 1 year

 

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